The problem of the luminous organization of the space of a medieval church has been actively developed in the last decades. The interiors of Armenian churches have hardly been studied from this point of view. The article solves the problems of identifying the character of daylighting of the interiors of cathedrals erected in the Armenian capital Ani and surrounding settlements in the X–XI centuries, the features of the location of light openings in these buildings, and the shapes and proportions of windows. The connection of this lighting system with the cathedrals of the previous heyday, happen in the VII century, is revealed. The changes that took place in the churches of Ani during the reign of the Bagratid dynasty are traced. Special attention is paid to two metropolitan works by the architect Trdat – the Cathedral and the Gagkashen Church, which have been completed by 1001. The study also brings us closer to understanding the different attitudes to the illumination of the space in the cathedrals of Ani, on the one hand, and parish and monastery churches, on the other.
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• architecture
• interior
• luminous organization of the space
• window
• Armenian church
• Ani
• Shirak
• Middle Ages