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Virtual Laboratory for Analysing Museum Lighting L&E, Vol.33, No.5, 2025

Light & Engineering 33 (5) 2025

Volume 33
Date of publication 10/20/2025
Pages 4–10

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Virtual Laboratory for Analysing Museum Lighting L&E, Vol.33, No.5, 2025
Articles authors:
Vladimir P. Budak, Ilgiz R. Gallyamov, Alexander V. Kiselev

Vladimir P. Budak, Doctor of Technical Sciences, Professor. He graduated from MPEI in 1981. Currently he is Editorin-Chief of Svetoekhnika / Light & Engineering Journals, Professor of Light and Engineering Department at NRU MPEI, and Corresponding member of Russian Academy of Electrotechnical Sciences

Ilgiz R. Gallyamov master’s degree student at NRU MPEI, Subdepartment of Light and Engineering. His research interests: models of colour perception, human visual colour processing device, modelling and making up mathematical models

Alexander V. Kiselev, engineer. He graduated in 1981 from the Frunze Polytechnic Institute. At present, he is a lecturer at the 92nd Department of the VUNC VVS “VVA named after N.E. Zhukovsky and Yu.A. Gagarin”. His research interests: diagnostics of digital devices

Abstract:
Lighting is one of the key elements that influence the way viewers perceive artistic works. Despite the importance of this topic, it has long been overlooked by specialists because there was a rigid system of norms and standards established back in the Soviet period. However, over time, these rules should evolve with the development of technology and modern trends. The right choice of lighting allows viewers to delve deeper into a work of art by emphasizing the shape, texture and colour of objects, as well as creating soft, natural shadows and an appropriate atmosphere that helps to better understand the author’s intent. At the same time, traditional lighting methods can cause harsh shadows and glare, which can distort the impression of the artwork. Modern digital technologies provide an opportunity to create virtual expositions available to a large number of viewers, but their realization requires high-quality visualization of synthetic images of sculptures. The use of special programs for calculating illumination and analysing colour characteristics makes it possible to test various lighting options, considering a variety of parameters, and through experimentation to find the most suitable solutions for each specific situation.
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