Content
Abstract:
Restoration workshops often stay in the periphery of museum life standing in the background of headline exhibitions. At the same time, restoration is an essential part of cultural heritage conservation. In this report, we would like to review the matters of formation of an optimal luminous environment using the workshops of the Grabar Art Conservation Centre as an example. The nature of light in a workshop is of primary importance for high quality of restoration work. We consider this case important since the Grabar Art Conservation Centre cooperates with many regional museums of Russia, and its experience may be interesting for museum practitioners.
References:
1. SP 52.13330.2016 Daylighting and Electric lighting. Revised edition of SNiP 23–05–95* (approved by the order of the Ministry of Construction and Housing and Utility Services of Russia). 2. PNST 392–2020 Museum lighting. LED lighting. Requirements. 3. GOST R58815–2020 Luminaires with LED for Museum Lighting. General Specifications.
Keywords
- restoration workshops
- restoration
- illumination in restoration workshops
- optimal luminous environment
- professional equipment
- lighting in restoration workshops
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